When I went to New York, I got to see one of my favorite artist’s work in person. It was magical. I felt so grateful and lucky to experience something in person. The work felt alive and real. Ruth Asawa’s work has always been a pillar in my art research and inspiration for whats possible. Being able to see her entire body of life’s work set me on a chain of what I am producing and how the story is much longer and wider than I could imagine. It always takes a new place to trigger creating. I love my brain expanding, being exposed to new ways or information. This trip did exactly that. It’s so easy to get stagnant in a routine that I lose sight of what I really love to produce.
I need new textures, styles, colors, or simply new experiences to make me feel alive. My favorite place to go when I travel is a art museum. It’s so important to surround yourself with art in mediums that you produce, and in ones you don’t. A few winter’s ago, I was feeling so stagnant in my practice, I couldn’t seem to light the spark. I randomly went to a dance performance and sitting in the audience I cried. I don’t dance, nor is it my creative output of choice, but that performance blew a breath of fresh air into me. I never expected it to, but witnessing someone’s creative output got the ball rolling for mine.
Now I would love to travel every month and experience new things, but It is not quite in the budget. Instead I try to seek out new. Do something – anything to break the routine you have. When I start to notice I want to consume more than create, I go out of my way to expose myself to something different. Walk down a new street, search a new youtube topic, find a free event. Who and what I surround myself with reflects back onto me. I am always shooting for the stars, I need to surround myself with stars.
how to not fall down the trap of constant consumerism with the latest fashion trends
After scrolling on Tiktok and finding myself on Zara, it became tempting to buy everything that looked “cool” and “effortless.” Boho and flowy silhouettes, sheer fabric, and the constant persistance of thinness, it felt like I could look like those models. But I really didn’t need to spend money, I had a closet full of clothes and no where to wear these tops to. I stopped and forced myself to think, do these clothes even fit with my personal style? Its hard to define what you wear. Sometimes its out of necessity, practically or economically. As I grow and get older, my style wants to change and grow with me. Thats why I feel I’m their target audience – in a vulnerable state of transition, my mind wants to latch onto what I’m fed, not what makes me feel good. I wanted to share a few strategies before swiping the credit card to help figure out is this actually me?
MOOD BOARDS
My favorite way to combat consumerism is through mood boards. When I was on the Zara website I let myself go free and add everything I ever wanted in my cart. After adding 35 items, I sat down and really looked at the items. 99% of the items I added, no matter how cool the styled photos were, were composed of over 70% polyester. Now don’t get me wrong I know synthetic fibers have some benefit to the clothing industry – holds structure, longevity, and cheaper production. But to have almost all the items be made from plastic (not even recycled polyester) and be over $50 an item, I knew I was getting scammed. Now you may say, Linsey what did you expect? Zara is a notorious fast fashion website that produces large quantity of clothing at cheap and shady costs. But the material and makeup of an item is so important when looking for long term wear. Aritzia, Anthropology, and Abercrombie are all hot brands with a hefty price tag, but many of their clothes are made from majority plastic. It doesn’t make me feel good or luxurious spending hundreds of dollars for cheap quality. Anyways I digress. I screen shot all the items I would still hypethically purchase and make a mood board like above. I did this on google slides as I lost access to Adobe products since graduating college. By visually laying out everything I want, I can begin to get an eye for what Im drawn to – textures, colors, silhouettes. Having these visuals in front of you help develop your eye and could narrow down your shopping list. Cross referencing your visuals with slowy learning what cuts and shapes flatter your body the most, I think is the perfect recipe for personal style. The stronger anchor you have in yourself, the less you will be swayed by the newest Dairy boy drop or Gap Sandy Liang collaborations. Everytime you want to buy something print it out put it on your wall, really let it sit in front of your face. Maybe it is something you really want and you think would add to your life, having it printed on the wall waiting as a kind of wish list and sitting there makes purchasing it all that much sweater. Resorting back to your kid self of wanting something so bad and having to save up and wait for it made the experience so much more enjoyable.
TRACKING TRENDS
Another way to combat the slippery slope of consumerism is by tracking a trend. This takes a little investigative journalism, but it can really hit home to your mind how fast and unimportant these trends come and go. As soon as you see something new pop up in the fashion world – like bows, barrel jeans, and whatever new water bottle is hot, CLOCK IT! Write down when you first saw it, no matter how tempting it is to participate, wait, wait, wait. 3 months to a year, the trends completely change leaving more items to discard to the landfill. And maybe you did participate and bought the item, no worries, the goal now is to use it for as long as possible. Remember reduce first, if not reuse. Watching and tracking trends really open your eyes to how fast things are moving around you. For me, it also helps quiet that voice in my head that I need to buy buy buy without purpose or use.
MAKING YOUR OWN CLOTHES
This may not be for everyone but I try to make what I want – weather it turns out good or not, It allows me to wrestle with the item and see if its really flattering on me. Maybe its an utter fail, I still sat with the item for weeks and got to flex my creative muscle. I also used to thrift items and try to flip them to make it something I would wear. Having a hand in producing clothes helps you determine where you want to spend your money. Suit and tailoring are complex and something I don’t love to make myself, I know that I am willing to spend money on nice coat or jacket. But simple tops I will always try to make myself. Finding that balance it key.
The lesson of this all is to go slow. Everything is pushed on us to hurry up, speed up, figure out your style now, but in reality it takes years to figure out how you like to dress. It’s okay to wear a bad outfit, a pieces of clothing that doesn’t fit right, its all pointing you closer to your end goal. We are all a cog in the machine of the fashion industry, but rooting yourself in your personal style, helps bring clarity to the overwhelming messaging of consumption.
Background items in my life that really make my life feel put together and complete
We all deserve a little love, and as I get older, improvements in my daily function of life make all the difference. Even when my life feels chaotic, or I’m running around everywhere, these items I have purchased made my life so much better. Some of them may seem unimportant, but when put together, have been so amazing! I have purchased these items with my own money and have had some of them for years. This list is true of things I actually use.
I do earn a small commission if you chose to shop these links below, because I am an Amazon Associate – it funds my art practice!
Clothing Steamer
There is something really nice and makes you feel put together than wrinkle free clothes. I used to hand iron my clothes, but it took FOREVER, and not all clothes can be ironed. I found steaming can be quicker, easier and can be done on the go, a win win win! I have this one and I LOVE the affordability and function: https://amzn.to/4qp6RU1.
2. A Plain Black Shirt
I kept finding myself waking up in the morning, half alseep, trying to get dressed. As I was looking through my closet and trying to put together an outfit, I noticed that none of my clothes seemed to go together. It didn’t hit me till later, I needed a stylish, simple black tee. I love this one because you can wear it off the shoulder, or as a boatneck style. This is my go to for going out, or to work: https://amzn.to/3Lc1SpG.
3. Heated Neck and Shoulder Wrap
DO NOT SLEEP ON THIS. I had no idea what I did before this, my life is changed forever. There is nothing better than coming home from a long day of work or school, and feeling a warm hug on your neck and shoulders. It is super cheap and WORK AMAZING. I have had this one and use it everyday for months and it get so hot and has a timer shut off, seriously the best: https://amzn.to/3JivXDw.
4. Air Purifier
This one is for my girls who love a clean home. Clean air, clean home. Something that gives me peace of mind, especially during those summer wildfires – is an air purifier. I had this one for over 4 years and its a game changer. It helps filter out dust particles and smoke. It also helps neutralize smells, so for all those people cooking up in a studio apartment, this helps make sure the apartment doesn’t smell like the dinner. The BEST purifier: https://amzn.to/3JpWzSU
This wallpaper collection is whimsical, dreamy and grounding, transforming household spaces into meditative oasis’s.
2024
2022
Loom Weaving on a wood frame made from scratch.
2022
1 yard fabric shibori dyed three methods: broomstick, threading, and circle string wrapped. This work was based off of a mood board questioning where humans stood with our natural world. Are we one with nature or just replicating it?
2022
Inspired by the natural lines of nature, exploring how humans fit into it.
2022
Inspired by 18th century coats, this suit piece aims to draw the eye through repetition and radial direction.
2022
The stitching on the vest inspired by topography lines on a map.
2020
Exploring how can stitch and assemblage add texture and depth to a garment.
2022
2022
Unisex garment incorporating both masculine and feminine features. Textile made from muslin and a dress shirt.
2022
Brooch made from nickel and copper. Inspired by the song the Lemon of pink by the books, this is meant to encapsulate the simply slow living of an antique country store.
2022
Laser cut geometric table lamp. Cut from a cardboard.
2022
Symmetrical design created by hand saw. Copper metal.
2022
Materials used: paper, circuit machine, gauche and ink.
2023
In conjunction with the self portrait, this photo series explores the passing of time through/with motion. This also explores the deterioration of a person or place from time through the process of exposure. Shot, directed, and edited by me
2022
Textile using immersion dyeing, screen printing, and embroidery. Describes our longing as humans for complete silence while living in a chaotic, noisy, world.
2022
Hand carved soup spoon for left handers
2020
This top was a Stamps 2022 Jured Undergraduate Exhibition finalist. using my dad’s old shirt, I flipped the meaning adding neck detailing and a ruffled bottom. Exploring the changing cycle of up-cycling, and what is means to recycle a garment.
2022
Screen printing ink on cotton using paper stencils.
2022
Four harness loom weaving samples
2022
A sleeve mockup investigation volume through silhouette and a cuff.
2022
Using photoshop overlaying my crochet samples onto bodies.
2022
These shibori dyed fabric was based off research investigation of botanical based art. Dyed with turmeric, I sought to explore the link between artists and their natural environment.
2022
Copper and nickel brooch and ring. Exploring depth by adding and removing layers of metal. This project was based off of the paper pants with chevron folds.
2023
“Knit Sweater” is a play on what materials out clothes are being made of. Pumped with plastic and chemicals, something that looks like a soft knit sweater may be deceiving us. Made from plaster and screen printed on paper
2022
This is a 2 month project of making a hat a day. I documented this project in a website format where you could shop for the hats.
2023
This is a photo series on the feeling of being in ones hometown in the heat of the summer. I styled, directed, and edited the photos.
2023
Mood board investigating texture.
2025
This Textile collection, titled “Evening Light in Mumbai,” emulates the feelings of wandering around the city of Mumbai as the sun slips beyond the horizon. The humidity still lingers in the air, the streets still buzz, but the sky slows and calms. This wallpaper collection is meant to bring energy and warmth to your home, and the feeling of being in Mumbai at dusk.
2022
Repeat pattern using shibori dyed cotton and heat n bond. 18″ x 18.”
2023
Material exploration of bio degradable materials as well as sampling materials to look like a woven knit material. Sampling paper, silicone, plaster
2024
Weaving samples done on a Dobby loom.
2023 Size: 15x16x16 inches
This piece is a sculpture that explores the fading of people and memories from my past. I can not again experience the purest form of the whole, the people being alive. When my grandma died, her things were split up and distributed among family members. Knowledge of craft and sewing were verbally passed down through the women in the family, but all I have left of her physically is a Swedish Dala Horse. The patchwork imagery of the lace depicts themes of the Dala horse, bits of memories I gleaned from my grandma and her Swedish heritage, but is fragmented, and various shades of off-colored white, as the memories get diluted as time passes. The sculpture takes the form of a lamp to heighten the awareness of distance between me and memories I hold onto through the separation of object and shadow. The physical materiality draws attention to the craft of sewing, a trait I learned from my mother, who learned from her mother. Although I can never grasp the full experience of my grandmother again, memories and objects of significance can take new forms and be pieced together as I journey and pass my own knowledge on.
2025
From hand drawings to illustrator file to Risograph print.
2022
Double cloth weave on a four harness loom using pickup.
2024
This wearable garment is a textural exploration of place. studying in Bangalore India, I am inspired by the nature and trash on my street. this is a mixed media garment of collected material from the street, as well as screen printing and hand embroidery.
2023
Colors and textures of the quilt based off of the movement and color of natural resources. Meant to belong outside, this quilt is an addition to the natural world.
2023
This is a conceptual work around consuming “boring” spaces. Can a wearable activate a space that was dreary to look at?
2022
Pushing the boundaries of material and texture. Using chevron folds on paper.
2023
Repeat pattern and color way sampling in photoshop for the tc2 Jacquard loom.
2023
This piece explores the categorization and filing method of how I view myself, my relationship to others, and to the world and history of those who come before me. Woven on the Jacquard TC2 loom.
2024
This piece is meant to tell a story around the loss of trees and vegetation in this world. This project is for a assignment of creating a piece for a museum gift shop. it is meant to be portable and impactful for a wide audience of customers. 10 in x 15 in.
2025
2024
Made from dried Kombucha Scoby, this bag was a material exploration into sustainable fibers. Dried Kombucha scoby is durable and bio degradable.
2024
This weave collection is based on the theme “disruption in nature.” Shadows, lines, colors, body all interrupt the background. Hand woven samples.