Hi there! I’m a textile and fiber artist who graduated from the University of Michigan with a BFA in 2025.
Contact me below!
This wallpaper collection is whimsical, dreamy and grounding, transforming household spaces into meditative oasis’s.
2024
2022
Loom Weaving on a wood frame made from scratch.
2022
1 yard fabric shibori dyed three methods: broomstick, threading, and circle string wrapped. This work was based off of a mood board questioning where humans stood with our natural world. Are we one with nature or just replicating it?
2022
Inspired by the natural lines of nature, exploring how humans fit into it.
2022
Inspired by 18th century coats, this suit piece aims to draw the eye through repetition and radial direction.
2022
The stitching on the vest inspired by topography lines on a map.
2020
Exploring how can stitch and assemblage add texture and depth to a garment.
2022
2022
Unisex garment incorporating both masculine and feminine features. Textile made from muslin and a dress shirt.
2022
Brooch made from nickel and copper. Inspired by the song the Lemon of pink by the books, this is meant to encapsulate the simply slow living of an antique country store.
2022
Laser cut geometric table lamp. Cut from a cardboard.
2022
Symmetrical design created by hand saw. Copper metal.
2022
Materials used: paper, circuit machine, gauche and ink.
2023
In conjunction with the self portrait, this photo series explores the passing of time through/with motion. This also explores the deterioration of a person or place from time through the process of exposure. Shot, directed, and edited by me
2022
Textile using immersion dyeing, screen printing, and embroidery. Describes our longing as humans for complete silence while living in a chaotic, noisy, world.
2022
Hand carved soup spoon for left handers
2020
This top was a Stamps 2022 Jured Undergraduate Exhibition finalist. using my dad’s old shirt, I flipped the meaning adding neck detailing and a ruffled bottom. Exploring the changing cycle of up-cycling, and what is means to recycle a garment.
2022
Screen printing ink on cotton using paper stencils.
2022
Four harness loom weaving samples
2022
A sleeve mockup investigation volume through silhouette and a cuff.
2022
Using photoshop overlaying my crochet samples onto bodies.
2022
These shibori dyed fabric was based off research investigation of botanical based art. Dyed with turmeric, I sought to explore the link between artists and their natural environment.
2022
Copper and nickel brooch and ring. Exploring depth by adding and removing layers of metal. This project was based off of the paper pants with chevron folds.
2023
“Knit Sweater” is a play on what materials out clothes are being made of. Pumped with plastic and chemicals, something that looks like a soft knit sweater may be deceiving us. Made from plaster and screen printed on paper
2022
This is a 2 month project of making a hat a day. I documented this project in a website format where you could shop for the hats.
2023
This is a photo series on the feeling of being in ones hometown in the heat of the summer. I styled, directed, and edited the photos.
2023
Mood board investigating texture.
2025
This Textile collection, titled “Evening Light in Mumbai,” emulates the feelings of wandering around the city of Mumbai as the sun slips beyond the horizon. The humidity still lingers in the air, the streets still buzz, but the sky slows and calms. This wallpaper collection is meant to bring energy and warmth to your home, and the feeling of being in Mumbai at dusk.
2022
Repeat pattern using shibori dyed cotton and heat n bond. 18″ x 18.”
2023
Material exploration of bio degradable materials as well as sampling materials to look like a woven knit material. Sampling paper, silicone, plaster
2024
Weaving samples done on a Dobby loom.
2023 Size: 15x16x16 inches
This piece is a sculpture that explores the fading of people and memories from my past. I can not again experience the purest form of the whole, the people being alive. When my grandma died, her things were split up and distributed among family members. Knowledge of craft and sewing were verbally passed down through the women in the family, but all I have left of her physically is a Swedish Dala Horse. The patchwork imagery of the lace depicts themes of the Dala horse, bits of memories I gleaned from my grandma and her Swedish heritage, but is fragmented, and various shades of off-colored white, as the memories get diluted as time passes. The sculpture takes the form of a lamp to heighten the awareness of distance between me and memories I hold onto through the separation of object and shadow. The physical materiality draws attention to the craft of sewing, a trait I learned from my mother, who learned from her mother. Although I can never grasp the full experience of my grandmother again, memories and objects of significance can take new forms and be pieced together as I journey and pass my own knowledge on.
2025
From hand drawings to illustrator file to Risograph print.
2022
Double cloth weave on a four harness loom using pickup.
2024
This wearable garment is a textural exploration of place. studying in Bangalore India, I am inspired by the nature and trash on my street. this is a mixed media garment of collected material from the street, as well as screen printing and hand embroidery.
2023
Colors and textures of the quilt based off of the movement and color of natural resources. Meant to belong outside, this quilt is an addition to the natural world.
2023
This is a conceptual work around consuming “boring” spaces. Can a wearable activate a space that was dreary to look at?
2022
Pushing the boundaries of material and texture. Using chevron folds on paper.
2023
Repeat pattern and color way sampling in photoshop for the tc2 Jacquard loom.
2023
This piece explores the categorization and filing method of how I view myself, my relationship to others, and to the world and history of those who come before me. Woven on the Jacquard TC2 loom.
2024
This piece is meant to tell a story around the loss of trees and vegetation in this world. This project is for a assignment of creating a piece for a museum gift shop. it is meant to be portable and impactful for a wide audience of customers. 10 in x 15 in.
2025
2024
Made from dried Kombucha Scoby, this bag was a material exploration into sustainable fibers. Dried Kombucha scoby is durable and bio degradable.
2024
This weave collection is based on the theme “disruption in nature.” Shadows, lines, colors, body all interrupt the background. Hand woven samples.
